The musical contributions of Seattle and the Pacific Northwest span all different genres and time periods, and her new seventeen-track album showcases this diversity, offering up a project spanning genres across and beyond electronic realms.
To mark the project’s release, we caught up with the Feral One Records founder to take a dive into the album and explore the influences of her city on her approach to creating music.
1) Hey Denni! Congratulations on the release of your new album ‘Creating Space’, a project which truly spans a lot of genres… where to start? Take us through how the initial creation process began, and how that evolved across the making of the full project.
The expectation definitely wasn’t to make a 17 track/ 12 dance genre range album. I try to avoid aiming for a set sound or a label style. I dive in creating what I need to hear at that time. With many of these tracks, they were made when I had to simplify my life for a few months. I’ve been pretty open with my major depressive disorder (MDD), but not long ago I was unable to manage it and was assisted by an intensive outpatient program (IOP). Along with this, I was using producing to pull me out of this swamp of sadness. I was using the emotional buttons and sounds that are able to pull me out of a chair, or pull out a much needed cry while dancing in the kitchen. Seattle is known for its gloom, but I think this environment of introspection brings out an indie, progressive, alternative and evolving sound that Seattle is often known for. It’s been my home for decades, and it would make sense that you would hear that.
2) The album is a dedication to your city of Seattle. Have you always wanted to work on a project to explore this idea, or did it come naturally?
For many, including myself, the environment and atmosphere you are in will be reflected in your sound. Whether someone does it loudly and intentionally, or whether they are a vessel their city seeps through, I’ll enjoy that process however it comes. Having Feral One Records focus a big spotlight on Seattle producers, with the Seattle Volumes, definitely instigates that. The overwhelming response from Seattle artists, dancers and media has been encouraging. The hope is having this newfound platform find a dance space in the PNW that fits the ethos.
3) How would you say this LP compliments you as a DJ and a producer?
It compliments me in that it is me. So much so, a part of me is uncomfortable with it being out in the world. I was just discussing with Artsychoke how producing something while you are surviving, is like showing your audio cheat code emotionally. I worry how much the masses can decipher. Its impact on my DJing is I can get a little emotional behind the decks. Waterproof eyeliner and mascara for the win!
4) And if you had to try to pick, what’s the one track listeners should listen to from the album right now, what would it be?
Are you trying to hack my cheat code! Ha! Earlier today when I needed the energy, I would have said Dance With Me, but as I’m winding down this evening in a hazy interview session, I’d have to go with Office Window.